Kaçırma

Hatice hastanede vardiyada, telefon kulağında. Sesi titrer: 'Sami, Eflin saat 17'de çıktı okuldan, eve gelmedi. Yarım saat oldu.'

Sami apartmanından koşarak çıkar. Telefonda Hasan'la konuşur: 'Yaşar'ın evine gidiyoruz. Şimdi.'

INTERIOR — abandoned Haliç warehouse, dim single overhead pendant light casting a harsh yellow pool, rusty metal walls, damp concrete floor with cracks, scattered debris and old crates in the background. FOREGROUND CENTER: Yaşar lies on his back on the concrete floor, propped up on his right elbow, his bloodied lower lip with a thin trickle of red blood running down his chin, his head tilted up toward Sami who looms above him, Yaşar's eyes wide and pleading locked UP at Sami's face — NOT at camera. Long loose dark hair messily falling, thick goatee, slim athletic build. Wearing: black leather biker jacket open over Pink Floyd Dark Side prism t-shirt now disheveled with scuff marks, black skinny jeans with worn knees, scuffed Dr. Martens boots. LOOMING ABOVE Yaşar in mid-frame (foreground dominant): Sami stands over Yaşar with his left foot planted near Yaşar's torso, body bent forward menacingly, left hand grabbing Yaşar's jacket collar pulling him partially up off the ground, right hand clenched into a tight fist held at hip ready, jaw clenched tight, brows hard-furrowed, eyes locked DOWN on Yaşar's bloodied face with cold suppressed fury — NOT at camera. Long messy center-parted dark hair to ear level, thin patchy 2-day stubble, narrow slim face, slim build. Wearing: dark forest-green slim-fit button-up cotton shirt + dark indigo straight jeans + dark brown leather belt + polished worn black leather Chelsea boots. BACKGROUND LEFT (a few steps behind Sami, observer position): Hasan stands watching, his body half-turned toward the central action, both hands at his sides ready, gaze locked on Yaşar and Sami's confrontation, expression hard weathered watchful — NOT at camera. 40-year-old Turkish man with short military-style buzz cut graying at the temples and thinning at the crown, weathered tanned face with an old vertical scar over left eyebrow, lean muscular build. Wearing: dark navy bomber jacket over plain black cotton t-shirt, dark cargo pants, sturdy military style black combat boots. Camera position: 35mm wide lens, low angle from the side capturing all three figures, captured as if by a hidden observer through the warehouse doorway. Mood: violent confrontation, raw interrogation, suppressed rage. Color: cold blue ambient + warm yellow pendant light pooling on the central action. [ORIENTATION: Sami's body and gaze locked DOWN onto Yaşar (Yaşar is directly below him on the floor). Yaşar's body crumpled on floor facing UP toward Sami. Hasan's body angled toward the central pair, his gaze on the action. No character turns their back to the confrontation. No one looks at camera.]

Hasan telefonda — eski kontağı bilgi verir. 'Haliç. Eski un deposu. Yaşar'ın eskiden kullandığı yer.' Sami koşar. [ORIENTATION: All 2 characters in this scene face each other naturally during their interaction — speaker faces listener, observer looks toward the action, no character turns their back to whoever they are speaking/interacting with. Each character's gaze is locked on a specific scene element (another character or relevant object), NOT into the camera. Characters in scene: Sami Aydın, Hasan Yılmaz.]

Sami terk edilmiş depoda yürür — paslı kapılar, su damlası, tek sarkık ampul. 'EFLİN?' sesi yankı yapar. [ORIENTATION: All 2 characters in this scene face each other naturally during their interaction — speaker faces listener, observer looks toward the action, no character turns their back to whoever they are speaking/interacting with. Each character's gaze is locked on a specific scene element (another character or relevant object), NOT into the camera. Characters in scene: Sami Aydın, Eflin Aydın-Karaca.]

Sami koşar köşeye — Eflin küçük bir köşede oturmuş, dizleri göğsünde, sağ. Sami diz çöker, sıkıca sarar. 'Buradayım. Buradayım.' [ORIENTATION: All 2 characters in this scene face each other naturally during their interaction — speaker faces listener, observer looks toward the action, no character turns their back to whoever they are speaking/interacting with. Each character's gaze is locked on a specific scene element (another character or relevant object), NOT into the camera. Characters in scene: Sami Aydın, Eflin Aydın-Karaca.]

Ambulansta. Eflin Sami'nin kucağında bir battaniyenin altında. Hatice arka kapıdan gelir, durur. Sami'ye doğru yürür, elini tutar. Beş yıl sonra ilk dokunuş. [ORIENTATION: All 3 characters in this scene face each other naturally during their interaction — speaker faces listener, observer looks toward the action, no character turns their back to whoever they are speaking/interacting with. Each character's gaze is locked on a specific scene element (another character or relevant object), NOT into the camera. Characters in scene: Sami Aydın, Eflin Aydın-Karaca, Dr. Hatice Aydın-Karaca.]